Book review: Veteran musician Marty Jourard chronicles the birth of the Gainesville rock & roll scene

Most New Millennium punk fans know that Gainesville’s vibrant music scene produced beloved talent like Less Than Jake, Against Me! and Hot Water Music. And if you aren’t aware that Tom Petty learned his trade on the midland Florida college town’s stages and porches, you might not exactly be a walking encyclopedia of All Things Florida Rock. (In fact, your General Classic Rock Knowledge, Class A status might be in danger of revocation.)

But did you know that Don Felder and Bernie Leadon of The Eagles also came of musical age in Gainesville? Or that Stephen Stills spent part of his teen years playing in local bands there? Or that the Elvis Presley hit “Heartbreak Hotel” was conceived there? Or that Stan Bush — whose “The Touch” evolved from soundtracking the closing credits of an animated Transformers movie to becoming the inspiration for a scene in Boogie Nights and an ironic playlist staple — was once a fixture on the scene?

These are just a few of the interesting tidbits from a book about the Gainesville music community’s ‘60s and ‘70s origins that’s jammed with them. Released in April via University Press of Florida, Marty Jourard’s well-researched and insanely detailed Music Everywhere: The Rock and Roll Roots of a Southern Town covers much more than the big names. Starting with rock’s primordial origins in pop, R&B and folk, and their influence on this single (and singular) locale, Jourard chronicles the factors and faces that came together to create a vital and energetic scene that probably couldn’t have arisen anywhere else, and whose influence is still felt globally.

Read the rest at Creative Loafing

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